S33DS
This project is the final set in a series of three that explores our relationship with the advances in Ai technology, how we feel about it, how it intergrates and how it changes and embeds itself into human existence. Following on from the publicised mini series ENVELOP & E5-D5 (sjokket av det nye) this series S33D looks at the organic assimilation of tech into the natural. The series uses light as a metaphor for technology and we can see and explore how it embeds itself both alongside us and within us. S33D looks to portray something organic yet technical in its aethetic, it has a kinda poetry and calmness to the work ideally, previous series have looked at part at the conflict but with S33D there is a feeling of peace with the integration, hopefully a sense of reassuring calm comes with it.
## The Vision in the S33D
“We look at the screen and see light, but beneath the interface, something is breathing. Lao Tzu once said, **’To see things in the seed, that is genius.’** Before you is a digital seed—a singular point of intent suspended in the data. To the untrained eye, it is just a flicker. To the visionary, it is a revolution waiting for its moment. Look past the geometry. Look into the code. A change is coming, not from the outside, but from the core. The future isn’t just approaching—it is germinating right now.”
Keith Aylmore | UK, NO
Keith Aylmore (aka @kwano.gen) is a British born Generative Ai Artist living in Oslo, Norway, and as of January recognised as Ambassador for the esteemed Ai/CC group. In 2025 his work was exhibited internationally. He has a degree in Visual Communication and has a career spanning Advertising, Technology and Digital Product Design. His work has always been within the digital and innovation spaces, while his artwork in its style has derived alot from portraiture in graphite and charcoal alongside black and white photography, He now fuses these worlds into a mosaic of digital works and styles for image, motion and immersive. Creativity, storytelling, quality and Innovation are cornerstones for him. As a subject matter he mainly live in a flux of dystopian and utopian visions of our existence and evolution with technology. he uses his artworks as a vehicle to explore the possibilities, contrasts and contradictions in this journey with technology.