Condact: The Metamorphosis of touch
How is human presence translated into digital memory? Condact is an interactive installation that explores the moment the body becomes the conductor of an audiovisual composition. On a glass surface, organic shapes resembling fingerprints wait to detect the body’s presence. Each touch gives birth to dynamic geometric forms and harmonic chords that accumulate on the screen, weaving a sensory imprint that remains visible as a digital memory.
Condact functions as a bridge of communication, bringing people together—both collectively and personally—within a digital environment of co-creation. It serves as a medium for search, exploration, and connection through interactive experience.
The work invites us to discover our creativity through touch, highlighting technology as a means of expression and communication. In a world of constant flux, what is the contact we truly seek, and what is the medium that will lead us back to the essence of connection?
Instructions
Gently touch the conductive imprints on the glass surface. Experiment with rhythm. Become the conductor and watch your contact transform into memory.
Tonia Papakonstantinou | GR
Tonia Papakonstantinou is a sound engineer and sound designer with extensive professional experience in television and cinema, having worked on demanding productions both in Greece and abroad. She graduated with honors from the Music Technology and Production department at the University of East London (UEL) and is currently continuing her research within the postgraduate program “Audiovisual Arts in the Digital Age” at the Ionian University.
Her interests focus on spatial audio, immersive experiences, and the intersection of technology, art, and science through a human-centered approach. She creates artistic projects that trigger participation and lived experience, aiming to develop interactive and educational tools for children and groups. Through her work, she explores how digital media can become accessible and meaningful within the processes of learning and creativity. Central to this exploration is her personal project, “The Sound Canvas,” an ongoing, long-term study on the relationship between light, color, sound, and music within interactive environments of synesthetic experience.
Driven by a deep love for nature, her aesthetic direction fosters the creation of works that seek a profound connection between humans and the natural world through the experience of the senses.