PAN/PAN

PAN/PAN

Through computer-generated video, PAN/PAN probes the connections between exploration, wilderness, and technology in a contemporary context. Drawing on the visual vocabularies of landscape painting and NASA live-streams, PAN/PAN presents a series of relics from a distant future. Hovering between motion and stillness, virtual scenes are devoid of human presence, yet biomorphic apparatuses function as technological stand-ins for embodied experience. As more and more of our experiences become mediated through technology, how do we re-negotiate our embodied subjectivities? Can virtual environments function as sites for the troubling of distinctions between technological, aesthetic, and artificial categories? And how can we develop a critical intimacy with our technologies without reducing them to mere reflections of our own values and beliefs? PAN/PAN speaks to these questions and concerns surrounding contemporary discussions of art and technology.

AENL (anna eyler + nicolas lapointe) | CA

Working in sculpture and new media, aenl (aka Anna Eyler and Nicolas Lapointe) maintain a collaborative artistic practice that probes the relationship between digital technology, nature, and the mystical-occult. Recent group exhibitions include Vector Festival (Toronto, 2024); Mutek (Montreal, 2024); and Particle + Wave Festival (Calgary, 2026). Their work was recently featured in the solo exhibitions at DRAC: Art Actuel (2024) and Le Labo (2025). The duo is based in Montreal, QC (Canada).